Thursday, April 17, 2014

Super Bowl ads opt to tread lightly

NEW YORK—What Super Bowl ads will people discuss over the water cooler a day after the big game?
There were no crude jokes. Sexual innuendo was kept to a minimum. And uncomfortable scenes were missing.

In short, there wasn’t much shock value
Sure, RadioShack poked fun at its image by starring ’80s icons like Teen Wolf in its ad. And Coca-Cola struck an emotional chord by showcasing people of different diversities in its spot.
As did Chrysler, with its “Made in America” message.
But with a 30-second Super Bowl commercial fetching $4 million, and more than 108 million viewers expected to tune in to Sunday night’s game, advertisers tried to keep it family-friendly with socially-conscious statements, patriotic messages, and light humour.
After all, shocking ads in previous years have not always been well-received (think GoDaddy.com’s ad that featured a long, up-close kiss was at the bottom of the most popular ad lists last year).
“A lot of brands were going with the safety from the start,” said David Berkowitz, chief marketing officer for digital ad agency MRY.
Viewers had a mixed reaction to the ads. Keith Harris, who was watching the Super Bowl in Raleigh, N.C., said he appreciated the safer ads.
“The ads are less funny but it’s easier to watch the Super Bowl with your family,” he noted.
Conversely, Paul Capelli, who lives in West Chester, Pa., found most ads dull.
“The best spots were like a Payton Manning-to-Wes Welker pass play—they were there but too few, and those that connected left you wanting something a bit more spectacular.”
Many advertisers played it safe by promoting a cause or focusing on sentimental issues.
Chevrolet’s ad showed a couple driving through the desert in remembrance of World Cancer Day. And Bank of America turned its ad into a virtual video for singing group U2’s new single “Invisible” to raise money for an AIDS charity.
The song is a free download on iTunes for 24 hours following the game, and Bank of America will donate $1 each time it is downloaded to the Global Fund to Fight AIDS.
Meanwhile, a Microsoft ad focused on how its technology helps people in different ways. The ad is narrated by Steve Gleason, a former prof football player who is living with ALS—a disease of the nerve cells in the brain and spinal cord that control voluntary muscle movement.
He uses a Microsoft Surface Pro tablet running eye gazer technology to speak.
And an Anheuser-Busch “Hero’s Welcome” ad was an ode to U.S. soldiers.
The spot showed how Anheuser-Busch helped prepare big celebration that included a parade with Clydesdales as a surprise for a soldier returning from Afghanistan.
Many advertisers took the safe route by playing up their Americana roots.
Coca-Cola’s ad showed scenes of natural beauty and families of different diversities. The tune of “America the Beautiful” could be heard in different languages in the spot.
Chrysler also went with a U.S.A theme. It had a two-minute ad starring music legend Bob Dylan discussing the virtues of having cars built in Detroit—a theme the car maker has stuck with in previous ads with rapper Eminem and actor Clint Eastwood.
“Let Germany brew your beer. Let Asia assemble your phone. We will build your car,” Dylan said in the ad.
Jokes also were tamer.
“A few years ago, we had a lot of physical slapstick,” noted Berkowitz.
“This year there’s a lot less of that.”

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